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As the owner of the media creation consultancy Battalion, expert photographer and videography Anton Nelson generally describes daily life amongst shoots as ‘going spherical in circles on planes’, and a quick glance at his social feeds certainly supports this.
While Anton predominantly performs as a director, DOP and Visual Artist for motion sports and motorsports brand names he also delivers projects in the corporate and government / army place.
We not long ago sat down with Anton to uncover out about him, his perform as a videographer and the type of package that he simply cannot dwell with no.
The camera: Blackmagic URSA Mini Pro 12k
“I currently shoot a great deal with the Blackmagic URSA Mini Pro 12K (opens in new tab) I want my get the job done to have a regular glimpse and come to feel, irrespective of the field I’m shooting in and the URSA enables me to shoot in 12K resolution at up to 60fps, or I can fall the resolution to 8K and shoot at 120fps!
• Seeking for the most effective 6K, 8K and 12K cameras?
I have got a shot in a recent Motocross edit I shot with Jamie Carpenter where he pops above a soar. I shot it with a Canon 70-200mm f/2.8 lens (opens in new tab) in 8K at 120fps. He’s just whipping the bike in excess of the jump, and it seems to be extraordinary. It can be a 38-megapixel frame, and there are 120 of them! I can pull any of those frames up, and it has sufficient detail to print for a billboard. That, for me, was a large instant.
“With the URSA, I can shoot anything I need to have with just a single camera. I often shoot wider as it means I can create a 9:16 video for TikTok or Instagram Reels and still deliver a regular 16:9 edit for YouTube and a 1:1 square for Instagram’s feed or Fb. Obtaining that extremely-high-resolution 12K master implies that there is no compromise on image quality.
I have a tendency to use a mixture of lenses but ordinarily adhere to picture lenses due to the fact the good quality is excellent and they are lighter and much easier to have than a whole lot of much larger online video lenses.”
The Lenses
Canon 70-200mm f/2.8: This lens presents me a large amount of flexibility for capturing all types of materials, from motocross to 4-wheel track racing like Rallycross.
A set of Sigma key lenses, the 14mm, 20mm, 24mm and 40mm: I started on DSLRs, and received utilised to manually focusing in lower-mild environments, which is probably a person of the extra tough strategies to focus. I’ll often uncover a position I want to aim, the place I know a rider or athlete will surface in the frame and have them occur in to concentrate, and depending on what I want, I can keep track of them from there or allow it drift for an organic and natural transition into an additional shot.
Sigma 18-35mm f/1.8 DC HSM: I love this lens I think it’s just one of the fastest / widest zoom lenses in the market. The barrel is also really rugged, which is vital when I’m capturing in incredibly hot or cold (typically chilly) places.
Samyang 10mm F2.8 ED AS NCS CS (opens in new tab): This is a stunning lens that results in an insanely large image on the URSA’s Tremendous35mm sensor.
Anything else
“I get the job done in some demanding situations. I can be lying on tricky, packed, icy floor or filming in a wet or dusty arid environment. I’ve obtained a good rucksack that guards everything, and I will use it to check out and present some shelter when modifying lenses.
I generally journey with a pair of earbuds and I also take a modest watercolor paint package with me. Using that downtime to do anything various and alter your pondering will help your way of managing composition. If you start a portray with a blank page, your graphic-creating method is thoroughly distinctive than if you have started on the lookout via a viewfinder. I don’t want to automatically get rid of that.”
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